Bulletin n. 2-3/2012 | ||
October 2012-February 2013 | ||
Conrad Sebastian |
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Enlightenment in Global History: A Historiographical Critique | ||
in American Historical Review , Volume 117, Issue 4, October 2012 , 2012 , 999-1027 | ||
Figure 1: Tipu Sultan, the ruler of Mysore and arch-enemy of the British, began in the 1790s to fashion himself as an enlightened monarch: he was one of the founding members of the (French) Jacobin club in Seringapatam, had planted a liberty tree, and asked to be addressed as Tipu Citoyen—and he reformed the military and economy according to European models. But his eclectic form of rule also drew on the cultural repertoire of South Asian Hinduism and at the same time, the large Hindu majority of his population notwithstanding, on Islamic traditions. Tipu Sultan corresponded with the caliph of the Ottoman Empire and stylized his resistance against British expansion as a battle between Islam and Christendom. One should not conclude, however, that his interest in things European—he was a collector of clocks and eyeglasses, but also of scientific instruments, and had installed a printing press—was nothing but a fascination for exotic curios. Rather, it needs to be understood as a practice meant to demonstrate the universal character of his rule. Watercolor, ca. 1790, by an anonymous Indian artist. The Enlightenment has long held a pivotal place in narratives of world history. It has served as a sign of the modern, and continues to play that role yet today. The standard interpretations, however, have tended to assume, and to perpetuate, … | ||